I have spent the last few weeks pondering why we hadn’t heard any new music from Julian yet considering he is playing shows at the end of March. Seems like I no longer need to wonder as a trailer for his second solo album has been revealed and well it a heavier sound than I expected a bit like Julian made a deal with the devil. I love it, though I imagine others may not.
Hopefully we will have a full single and more details soon. Welcome back Julian, welcome the hell back.
Don’t forget to check out Julian’s site and sign up to the newsletter
Julian Casablancas and The Voidz will be playing in Austin, Texas March 15
— Cult Records (@CultRecords) March 6, 2014
We have all longed for The Strokes to play live together especially as none of the delightful and awesome songs from Comedown Machine have yet to be played live but after Julian announced his own solo plans for spring and with a likely follow-up to Phrazes out around the same time I really did not expect to hear anything from The Strokes this year.
Well in a completely shocking announcement (really it is such a surprise) they will be playing the Governors Ball Festival which takes place on Randall’s Island NYC 6-8 June 2014. Not only that but Julian is scheduled to do a solo set as well.
I have no idea what is behind this maybe they got an offer that they simply couldn’t refuse (one of the reasons they played shows in 2010 was because festivals offered up a healthy sum of money) but whatever the reason this is great news for fans even those who won’t be able to attend because YouTube videos should allow us all a glimpse of the band doing what they do best, playing live.
More details and where to buy tickets here
Albert has been hitting the interview circuit hard in the past month or so and I struggled to keep up with all the articles and fun videos so here is a round-up of what Albert has been saying.
DeerWaves: Interview in Italian
Huffington Post interview “I’ve talked to Julian about me getting to sing a song on a record. Obviously I’ve made solo records so it wouldn’t be that weird now [laughs]. But yeah, there’s a possibility for everything”
Noisey Music “There’s nothing really higher than being buzzed off a show. I think that’s why people keep performing”
Pitch interview “We roll the dice as often as we can and try other things, and if we don’t do it right, we’re kind of back to square one”
Radio BDC’s The Show: audio interview
Sirius XFU: audio interview
Urban Outfitters “There’s nothing like working with your best friend”
Wow 24/7 “I would never feel frustrated about being in The Strokes at all,” he insists. “I’m lucky to be in that great band, and to still be in that great band”
Photographer Laurent Briet has a load of great photos of Albert and his band on tour at her site
Instant Crush by Daft Punk featuring Julian Casablancas Video
Instant Crush is such a beautiful song and whilst it might not seem like a natural choice for a single Daft Punk released it last month and today have released the video featuring Julian.
End of Year Polls
It is that time of year again when the music press rank their favourite records and also fans get a chance to vote. So far The Strokes and Albert have been featured in the following lists:
+ Comedown Machine is number 47 in Q Magazine’s Top 50 Albums of 2013
+ NME ranked Comedown Machine number 41 in their list, you can read the brief blurb & Albert’s favourite tracks from the record here
+ Albert’s track St Justice is number 66 in Rolling Stone songs of the year
+ Vote for Comedown Machine in the NPR album of the year poll
+ Vote for One Way Trigger in Zane Lowe’s Hottest Record of the Year poll
Julian Solo Tour Dates
Julian is going on the road next spring most likely in support of a new record (hopefully more details about this exciting prospect will emerge soon!)
The first batch of dates announced focus on South America
29-30 March 2014 – Lollapalooza Chile, Santiago, Chile
01-02 April 2014 – Lollapalooza Argentina, Buenos Aires, Argentina
03-04 April 2014 – Estereo Picnic, Bogota, Colombia
05-06 April 2014 – Lollapalooza Brazil, Sao Paulo, Brazil
I’m going to post a round-up of Albert interviews later on tonight.
Second albums are always considered to be difficult; history has shown that following up a widely regarded debut can daunting and doesn’t always work out.
Room On Fire often gets tarnished with the disappointing second album label and since its release the music media have acted like it was a failure. If you look at reviews though at the time then the majority were actually glowing. Q Magazine gave it 5 stars ‘it’s like Is This It but more emotional, more colourful, slightly better‘ NME (9 out of 10) said “‘Room On Fire’ is a refining and tinkering with The Strokes sound, a carefully calibrated attempt not to fuck up too early in the face of untold temptations” and Rolling Stone declared that “In the face of hysterical expectation, the Strokes have resisted the temptation to hit the brakes, grow up and screw around with a sound that doesn’t need fixing — yet” (All reviews from Metacritic)
So whilst it is really easy to for the media to turn on the record when the inevitable backlash began its worth noting that people actually genuinely liked it.
As for my own feelings on the album well like every record by The Strokes Room On Fire holds a special place in my heart. If Is This It represented my care free student days then its follow up was the album that got me through some serious post-University blues. 11 tracks that showed Julian Casablancas maturing as a writer, and a band that were still having a lot of fun.
Room On Fire often feels like two different records, you have the songs that were written early on and debuted when The Strokes were still promoting Is This It in early 2002. These tracks like Meet Me In The Bathroom, Between Love & Hate, The Way It Is and You Talk Way Too Much sound much more like the Is This It era. Then you have the rest of the album which was written towards the end of 2002 and throughout early 2003. It is with these songs that there is a noticeable change in the music, and for me hearing Reptilia for the first time or Under Control really convinced me that I had sold my musical soul to the right band.
The Strokes weren’t just a one album wonder, they were to be a band I knew I would follow for a very long time.
What Ever Happened? is my favourite opening track by the band, I love the guitar solo but also has some of Julian’s best lyrics. Reptilia is probably the most famous track after Last Nite due in part to being used in Guitar Hero, it is the song that really compels the listener to either dance like crazy or kick something really hard. Maybe that is just me but I always see it as such an exhilarating track with this raw intensity. 45 seconds into Automatic Stop and you get that guitar solo, all I ever need from a Strokes song is a really great guitar solo and Julian laying down some harsh truths with lines such as ”I’m not your friend I never was“. Even though 12:51 was a single I feel like it is a bit of a underrated song. Guitars made to sound like keyboards, a video inspired by Tron and lyrics about being young. Overall a really short but sweet track.
The next 3 songs in the form of You Talk Way Too Much, Between Love and Hate and Meet Me In The Bathroom makes a nice middle section to Room On Fire. Like I said they have that earlier Is This It sound to them and over the course of the years are rarely played live but when Julian croons “Don’t worry about it, honey” everything feels right with the world.
I could probably write long essays about Under Control and how it is a lost classic that sounds like its come from the 1960s. The closest the band has come to writing a soul song in many ways. It is beautiful, it is wonderful. I change my favourite song by The Strokes all the time but Under Control is always in the Top 5. I was so happy when they played it on their comeback tour in 2010 and I hope it stays part of their set when they tour again. This song should have been a single if only so the wider public would be aware that such a track exists.
Even though its often hard to know what Julian’s lyrics are about a lot of Room On Fire seems to be about his break up with his long term girlfriend during the making of the record, The Way It Is is yet another song on the album about a broken relationship “I’m sick of you and that’s the way it is” he declares. The End Has No End has a killer solo, some brilliant lyrics and really is one heck of a track.
Room On Fire ends with the ridiculously catchy I Can’t Win, The Strokes always know how to end a record.
Room On Fire may not have had the instant impact that Is This It had but for many Strokes fans I know it was actually the first album by the band they heard and I think that is one of the reasons is more loved by the fans than the critics these days. Its hard not to have a special bond to the first Strokes album you heard.
For me it wasn’t my first but like I said it helped me through a rough personal time and so when I think about Room On Fire I think about dark winter nights and a horrible deep depression but I also think about how listening to that album gave me a tiny bit of hope every day. How I fell in love with The Strokes more than I had even two years previously.
Thank you Room On Fire for being the comfort I needed ten years ago and for being a whole lot of fun ever since.
Reptilia Official video
Between Love and Hate Live at Summersonic 2003
Under Control Live at Paléo Festival 2011
I Can’t Win Live Live in New Jersey 2004